News for the ‘sound design’ Category

LSE Literary Festival

I will be talking about my practice at the LSE Space For Thought Literary Festival next Saturday, 1st March at the London School of Economics. I’m looking forward to joining Trevor Cox, professor of acoustic engineering at Salford University and composer/sound artist, Aleksander Kolkowski for a panel discussion chaired by Professor David Hendy entitled Sonic Landscapes: understanding the world through sounds.
The event is free and open to all. E-tickets are required and can be booked via LSE E-shop.
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Posted: February 23rd, 2014
Categories: composition, public events, sound art, sound design
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Leverhulme Artist in Residence

Next week, I will be starting a ten month residency with the Solar and Stellar Physics group in the School of Physics and Astronomy at the University of Birmingham in February, funded by the Leverhulme Trust. This is a fantastic opportunity to collaborate further with the BiSON research team headed by Professor Yvonne Elsworth and Professor Bill Chaplin, whose data I used as raw material for my 2012 sound installation, 5 Minute Oscillations of the Sun.

I will be learning more about helioseismology and asteroseismology – the study of the sun and other stars by observation of their natural acoustic resonances. The residency will allow me to realise a new body of work using real Kepler data gathered over the past three years and develop my compositional practice in this area to the natural resonances of other solar type stars, including those that host newly discovered planets.

An exhibit combining extracts from 5 Minute Oscillations of the Sun with information about BiSON research is currently installed at the entrance to the Planetarium of Thinktank Science Museum in Birmingham.

On Air

A lovely sunny day for On Air, my large scale sound installation throughout The Open University campus in Milton Keynes. On Air is a 60 channel work that floats in the air around the campus. More than 100 speakers diffuse an acoustic layer made from the voices of OU researchers, archive material, echolocations of local bats, musical elements, electromagnetic signals and field recordings gathered from around the site. The recordings are re-introduced back into the environment from which they came, as though the ideas, lines of enquiry and histories of The Open University exist permanently on the air currents throughout the campus and are made temporarily audible by the work.

On Air is one of four artworks commissioned across the regions for the University of the Air project, which celebrates the 50th anniversary of the Harold Wilson speech and OU research. On Air is the commission for England and focuses on design and technology research.

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Posted: November 10th, 2013
Categories: composition, sound art, sound design, spatial
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Space Ham review, Radio Times

Review of Space Ham by David Crawford in the Radio Times:

The image of amateur radio enthusiasts is indelibly linked in my mind to that of Tony Hancock. But it seems they’re a much more inspiring bunch than that, as this fascinating feature shows.

Since the beginning of the space age, “hams” have been intercepting transmissions from space and, in the case of astronaut Owen K Garriott, taking amateur radio broadcasts onto space stations.

“Found space-sound” artist Caroline Devine weaves these transmissions into her own composition, combining them with ethereal sounds of space to hypnotic effect. It’s a space oddity, but entrancing and magical.

ABOUT THIS PROGRAMME
Sound artist Caroline Devine celebrates amateur radio and space exploration with a composition featuring the ethereal sounds of the cosmos and the ham enthusiasts who recorded them. Owen K Garriott reveals why he was the first astronaut to take amateur radio into space, and there’s newly released archive of US radio operator Roy Welch, who immediately after Sputnik’s launch, rigged up a makeshift station, looking up to the night sky as the satellite’s eerie beat found voice in his ramshackle equipment.

SPACE HAM PICK OF THE WEEK BBC Radio 4

SPACE HAM featured on Radio 4’s Pick of the Week on Sunday.
Space Ham is available to listen again on the BBC iplayer until the new episode of Between the Ears airs this Saturday.
Review by David Crawford in the Radio Times

The image of amateur radio enthusiasts is indelibly linked in my mind to that of Tony Hancock. But it seems they’re a much more inspiring bunch than that, as this fascinating feature shows.

Since the beginning of the space age, “hams” have been intercepting transmissions from space and, in the case of astronaut Owen K Garriott, taking amateur radio broadcasts onto space stations.

“Found space-sound” artist Caroline Devine weaves these transmissions into her own composition, combining them with ethereal sounds of space to hypnotic effect. It’s a space oddity, but entrancing and magical.

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SPACE HAM on BBC Radio 3

SPACE HAM, an episode of Between the Ears celebrating the relationship between amateur radio and space exploration will be broadcast on BBC Radio 3 at 9.30pm this evening. SPACE HAM is a collaboration between myself and Producer, Rose de Larrabeiti of Whistledown Productions. SPACE HAM includes the recordings of many amateurs, including VLF recordings from Paul Nicholson and Wolf Buescher and Ham recordings of ISS contacts from Matthias DD1US Sounds of Space collection. Thanks to all those who provided material and to Roy W0SL for his wonderful recording of the first Sputnik signals from 1957. I synthesised many of the other sounds from scratch using sine waves to explore heterodyning, the Doppler effect and other acoustic phenomena.

From the BBC website:

Since the dawn of the Space Age, amateur “ham” radio has eavesdropped on our exploration of the cosmos. From Sputnik to the International Space Station, radio enthusiasts with homemade kit have been able tune into the distant sounds of space and talk to those exploring it. Caroline Devine, found space-sound artist, creates a composition from the ethereal sounds of space and the space hams and sends Between the Ears into orbit.

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Captain Ko at Edinburgh Festival

There is one more week to catch Captain Ko and the Planet of Rice at Edinburgh Festival. I collaborated with Dancing Brick Theatre Company (Thomas Eccleshare, Valentina Ceschi) to develop the work which is the culmination of 18 months research and development exploring neurodegenerative illness in consultation with Prof Sergio Della Sala from Edinburgh University’s Centre for Cognitive Ageing and Cognitive Epidemiology. Captain Ko and the Planet of Rice tells the story of three linked characters who are, for different reasons, outside of time.

“a poetic and beautiful work that taps into one of the most sensitive and unpredictable of human faculties – time and memory – in a way that is challenging, unusual and wonderfully inspiring. This is a pioneering work for our age that is a real privilege to witness.”

Read the full review by Katharine Wootton from A Younger Theatre here

Koterrorsmall

Posted: August 19th, 2012
Categories: composition, sound art, sound design
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Review of Captain Ko at Pulse Festival

“A masked woman silently prepares to make a cup of tea. Performed in mime against an effective and highly realistic soundscape, it’s beautifully observed. Each movement accurate to the smallest detail. As the woman’s memory fails, however ,the simple action of making tea becomes impossible and the end result is deeply moving.”

read full review of Captain Ko here on Glen’s Theatre Blog

Captain KO 2

Posted: May 28th, 2011
Categories: composition, sound design
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Sampled Festival at The Junction

Captain Ko mission reaches Sampled Festival at the Junction, Cambridge…

Sampled 2011 COVER

Posted: May 20th, 2011
Categories: composition, sound design
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Captain Ko and the Planet of Rice

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Work begins on Captain Ko and the Planet of Rice – great to be working with Dancing Brick again and looking forward to new collaboration with video artist, Susanne Dietz. I am also very pleased to have made contact with Matthias Bopp, a ham radio and astronomy hobbyist in Germany, who is kindly providing us with “sounds from space” that were recorded from his Shack. Matthias’ website includes a collection of his own and others’ recordings as well as a wealth of information.

Posted: March 22nd, 2011
Categories: composition, sound design
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